Biography Pieter Rombouts
1667-1740
This excellent maker was the son
of Sibilla Barents who married Hendrik Jacobs in 1676. Pieter Rombouts
thus became Jacobs' stepson. It is clear that already at an early age
Rombouts must have come into contact with violin-making and assisted
his stepfather with his work.
Pieter's hand is heavier, although he was a master at the treatment
of the fluting and channelling which runs along the outlines of top
and back. His purfling is wider, and although neatly done, it is rather
less delicate than that of Jacobs. His heads also differ from those,
made by his teacher, in that they are a little bolder of form. An interesting
characteristic of his heads is their narrowness at the top of the back,
widening considerably towards the lower end as is in the case with the
works by the Carcassi brothers.
Rombouts has also made a number of fine violas and viola da gambas.
A beautiful specimen (dated 1708) of the latter is on show at the Municipal
Museum at the Hague. Its marvellously preserved light red varnish is
particulary striking and reminiscent of the finest early-Italian varnishes.
Of special interest is his label which has not been printed with a wooden
block like the labels of the majority of the old masters, but - judging
by its outstanding clear characters, an engraved metal block must have
been used. Of the Dutch masters, Gosewijn Spijker too, used to use an
elegant calligraphed metal block.
From: The Violin-makers of
the Low Countries, by Max Möller, 1955 Amsterdam
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